How Many Years Can Some People Exist Before They're Allowed To Be Free?

The Dark Knight Rises (Nolan, 2012)

Finality can be unsettling. I recall most of the major occurrences of finality in my life fairly clearly. For better or worse time carries on and chapters of life (this is a phrase I detest, by the way) inevitably draw to a close as we continue throttling forward. As I stood waiting in line at the IMAX, about an hour and a half before Christopher Nolan's final entry in the Batman franchise, The Dark Knight Rises, was set to start the idea of conclusion was set firmly in my mind. After seven years he was prepared to move on, to put a bow on top of the series and pack up. And about 4 hours later, coming out of the theater, the conflicted feelings I usually have with confronting finality were still present in full force. Is this what it's like to end, can it be a satisfying conclusion, or will it all collapse under the weight of the previous movies?

Nintendo Press Conference Wrap Up

Nintendo's press conference, one would imagine, had to already be pretty much set in stone. While we didn't know exactly what would have been shown (and quite honestly when it comes to Nintendo who ever does?) we knew that there would be a heavy focus on explaining the upcoming WiiU, presenting information about the console, and showcasing which titles we can expect to play. With Sony and Microsoft having no new consoles to showcase, there was reason to drum up excitement for this presser. Lip service would likely be paid to the 3DS, but this conference was all about firing the first shots in the next generation battle.

Taking On 2011: Video Game Positives

Despite some of the disappointments from 2011 that I wrote about earlier in the week, 2011 was a pretty good year for video games. Yeah, there was a bit of over-saturation, and we probably are on the precipice of a new console generation, but it is usually in these closing years that consoles tend to peak. And there were some mighty impressive peaks, even with the deluge of sequels. Again, as a refresher, I only played 17 games from 2011, so if you do not see a title on this list or the Negatives list just assume that I have not gotten around to it yet. I am not a machine.

Like with the other list I will say which console I played these games on, and even though this is a positives list, and a de facto Top Eleven, some of these games have problems. At times, I may not even call them all great games, but these are games I can certainly say I had a positive experience with during this year.

Update On The Status Of Processed Grass As Filtered Through My Lens Of Hope And Joy And Triumphant Returns With Long Blog Title Posts Words!

Loyal readers, followers, friends, and admirers alike, as you may have noticed I have been quiet as of late. Part of this, as always seems to be the case around this time of the year, is a result of school. This year, particularly, it is a result of Grad school. However, that is not the biggest determining factor of my blogging absence.

Some of you may remember, in an older post after my first prolonged silence, that I had a Great Computer Collapse of Summer 2011, which I thought I had rectified. Sadly, that was not the case. Now, after another month or so without a steady computer from which to post or listen to new music/watch films, I have returned. At least for now. But probably for good because I plan on buying a desktop this Black Friday! So as long as this laptop holds out until that thing ships and arrives, you can start expecting posts soon. Or relatively soon. There are a lot of papers coming up.

I thank everyone for their patience, and for those who care here a couple of brief reactions I have in regard to some recent culture across multiple mediums! And yes, I'm going to make a numbered list because I love them. You probably love them too, this is the internet.

Keep Your Pekinese, Turkish Cigarettes, And Your Lighter That Looks Like A Gun

Twelve (Schumacher, 2010)

Many would say that Joel Schumacher is responsible for one of the worst films ever recorded: Batman and Robin. I have not seen this travesty, so aside from the film's reputation I have little else to form any sort of valid opinion. Similarly, I have incredibly limited exposure to Schumacher's filmography, so when I saw this film about two weeks ago all I took into Twelve dealt with the reputation that the film had built up since its premiere at Sundance. The film was ridiculed by the collective press so horribly at the event that Schumacher had all future screenings canceled and did not conduct any interviews at the festival after the film finished screening. So is the film as hollow and pretentious as the individuals on display in this world or is Schumacher's latest film an unfortunate victim of critical group think that, like the residents of this upper New York society, is simply cornered by expectation?