Taking On 2012: Top Albums (Q1 Quarterly Review)

Despite 2012 being a pretty great year for songs thus far, I'm going to come right out and say that, based on the limited number of albums I have listened to, it has been a pretty bad year for music. But, much like with other cultural forms of entertainment, I look toward the future and see that brighter pastures are ahead. With Japandroids, Beach House, Kanye West, Fiona Apple, and countless other artists set to release records in the coming year I can't help but feel hopeful.

And really the reason I do my Quarterly Reviews, aside from using them as an aid to keep track of what exactly I have listened to in the year, is to track how my feelings have changed. Unlike the past few years, I am not sure if my favorite album from the year has been already released, or is even on my radar. And that unknown excites me like a a kid who just won a timed shopping spree in Kay-Bee Toys.

But this isn't a most anticipated list. This is the present, and the present is a gift. So how about we get to unwrapping?

Taking On 2012: Top Tracks (Q1 Quarterly Review)

Where has the time gone? Down the critical drain, no doubt. And now that the time is no more it is time to begin the listing. Start the counting down. Organizing strategies. As it was written last year, it shall be written again. And again after that, until the future shuts us down and the electricity flows no more through these wires.

There has certainly been music this year, and some of it has even been pretty good. Of course some of it has been pretty bad too, but that's kind of the trade off, I imagine. But what's so great about music is, like a killer sammy from the local sub shop, you can pick and choose all the meats that make it in to the final product. And, naturally, kick the bad ones to the curb. I'm talking to you, mayonnaise!

So don't expect to find any mayo here, just straight up heaters. And you can even click on the links where possible to jam out on your own. I'm in your head.

Taking On 2011: Top Tracks (Final Review)

It's that time of the year again. Mostly everything has been released, certainly this is the case with music, and it's time to start putting the year into perspective. I found 2011 to be a fantastic year for music, perhaps without the highs or 'Important Albums' of years past, but still fantastic nonetheless. We saw dubstep rise (and fall?) in about the course of twelve months, Katy Perry reached insurmountable levels of annoying, and that Lulu atrocity even released. What more could you want? It's definitely been a year, and moving on from my previous three Quarterly Reviews, the final list of best tracks has risen. Moves have been made, shakes have been shook, and as usual all titles link to Youtube versions of the songs whenever possible, and for some that are not on Youtube, I put all the songs on Spotify into a playlist!

Taking On 2011 - Top Tracks (Q3 Quarterly Review)

Another three months have passed, and as has become a yearly tradition here at Processed Grass it is about time we take a look back at all the yearly developments in the world of culture. As is also tradition my Quarterly Review will be broken in to three parts (songs, albums, film) and list some random number of these entries that have been dominating my ear space and mental functions for the past however many months! We are approaching the time of year when monumental changes occur in these lists. Don't believe me? Just check up on the first and second quarterly reviews to see how things have changed...or how orders have stayed the same.

We all like comfort, right?

Pitchfork Music Festival 2011 Blow Out

I know it has been quite a while since my last post - one week to be precise - but between my Harry Potter all day marathon and going to Pitchfork Music Festival 2011 last weekend I have been searching frantically for free time to absolutely no avail. But the time to recover has occurred and I am back, ready to recap all of my fantastic journeys in to the great vast world of not the internet! So join me, why don't you as we take a marvelous journey to the Windy City of Chicago in the great state of Illinois. We can listen to some music, look at a couple of pictures, and get a feel for all of the activities that made 2011's Pitchfork Music Festival so damn incredible!

Taking on 2011 - Top Albums (Q2 Quarterly Review)

My personal vendetta against 2011 continues along at a quick pace, following up the Top Tracks Q2 Review with a larger focus. We're going to be talking about albums, those complex monsters that haunt the innards of our iPods. Crackling on the speakers in the car during long rides, pulsating through ear buds while you're on the day's run, albums are meant to be digested. Even though the year is only half over, I am actually surprised at just how great a year it has been for music. Not to mention that my most anticipated albums are still to be released! Below we have the good, few marks of ugly from 2011. Before reading, check out how the list has changed as well, but catching up on the Q1 Quarterly Review of Top Albums. Here at Processed Grass I am all comprehensive, all the time!

Taking on 2011 - Top Tracks (Q2 Quarterly Review)

So, we have officially hit the halfway mark of the year. How are those New Year's Resolutions holding up? Mine had already been abandoned by the time I composed the first Quarterly Review, so now I have resolved to make no more resolutions. Even if that does not cure my shame and disappointment, I can at least take solace in the fact that this year has produced a number of great songs to inhabit this list. Just a forewarning, this list is going to be a good deal different from the Q1 Quarterly Review. More eclectic! More daring! More music!

Before we begin I should probably issue another short reminder: this is a Quarterly Review because I do them every three months, not because the list only contains songs released in these three months. They are all building to the final lists in January, and as such I think it is important to see the process up until that point. Both for myself and, hopefully, for you the reader. Some songs that were my favorites earlier have had time to sit, marinate, and fall or rise accordingly. These are the ideas that fascinate my mind! As usual, click the links to listen to the tracks. And with that, put the needle on the record!

Taking On 2011 - Top Tracks (Q1)

Here at Processed Grass we have a strong attraction to all of the finer arts, so despite keeping a focus on film we still like to take the time to cover the other art forms that make up the abhorrent zeitgeist. With March drawing to a close rapidly it's time to start assessing the cultural output of the first quarter of the year. I have been on a quest to listen to more music from 2011, and I think that I have been successful in that so far, actually I'm averaging about a CD a week which is astounding given how paltry my year end list was in 2010; however, the more things change the more they tend to stay the same. In an attempt to expand my horizons the old ports have beckoned me back, in the long nights as the lighthouse rotates its the familiar lands I find myself drawn to, thriving upon. Drop the anchor, moor the boat, we'll be staying for a while.

10. EMA - "California"

Distortion can work wonders on tracks, Japandroids and Sleigh Bells have made it a staple of some of last year's best tunes, and while it may border on blasphemy to call distortion the possible followup to autotune, it seems like a sound device that can easily be similarly abused. Thankfully EMA, along with the disconnection she delivers the puncturing lyrics, appears to fall in line with the former artists. The stark desperation, the worn down tone, the burnt out youth. After the four minutes have finished there is no longer a song, only a mirror, another lens, and we all hold the gun.

9. Kanye West and Jay-Z - "H.A.M"

Excessive was a word that described Kanye West's masterwork My Beautiful Dark Twisted Fantasy, it also serves a descriptor of Jay-Z's Brett Favre~esque bouts with retirement. The first single from their upcoming duet album promises an album that is, as both artists do best, nothing short of brilliantly excessive. Kanye and Jay-Z build and build, keeping a flow but increasing in energy until the song reaches the only logical conclusion: a background opera encompassing the beat. No musical genre is safe. Kanye West is here.

8. Avril Lavigne - "What The Hell"

I like to imagine that in a mall, probably in the deep recesses of Canada, someone is still listening to "Sk8ter Boi" for the first time. Avril has always excelled as bringing the alternative voice to traditional pop, playing upon convention by layering on top a snarly challenge to the prescribed musical norms, existing as the bramble of music, technically capable of causing some harm, but ultimately housing some kind of sweetness amid the prickles. "What The Hell" carries on this tradition, seeing Avril capture the slightly off-kilter pop sound that made her debut tracks staples of my iTunes library.

7. Lykke Li - "Get Some"

During the last presidential election one of the key topics discussed was the way America outsourced its jobs and the fallout that has resulted because of the relocation of labor. Maybe it has to do with cheaper labor, perhaps companies are attempting to dodge taxes, or just maybe the product is better. If product of Europe Lykke Li is any indication it all begins to add up. Though "Get Some" is much louder than anything else from her stellar sophomore record, the song's charm is found in the seductive power play that Li makes, offsetting the phallocentric ideals and becoming the whore and the Madonna, the alpha and the omega, the power displaced.

6. Childish Gambino - "Freaks And Geeks"

The opening bars of the song strongly proclaim: "Gambino is a mastermind." In hip-hop you are asked to put on a front, the exude a confidence and swagger to make known that you are the hottest artist to ever pick up a microphone, and Donald Glover does a damn fine job of backing up that opening line, backing up the swag. The delivery on the track is rapid fire, barely taking the time to breath between bars, giving a 'blink and you'll miss it' feeling of emergency to the track. And if you blink you will miss quite a bit, because the wordplay from line to line is astounding. He engages the consciousness, weds it even, and the brain is left fornicated. he is running this bitch, we are just dog walkers.

5. James Blake - "I Never Learnt To Share"

I don't think this song is dubstep, but if it is dubstep then I have been missing out on an entirely different type of music that I need to dive in to at the earliest chance. What stands out most to me about this track, and the James Blake record as a whole, is that it does something that few other records have been able to do: it relies on sound progression and heavy instrumentals to sustain an entire album and he allows me to understand the progression. I know why sounds shift, how songs build, where the fluctuations are, and why they are. Part of this is because Blake uses his voice almost as an instrument, but his lyrics are varied and sharp enough to make me want to explore the songs. And what is music if not an exploratory process?

4. PJ Harvey - "The Words That Maketh Murder"

History is a concept that is not incredibly tangible, sometimes it is even best conveyed by collecting experiences and relaying emotions, or at least appealing to emotions. In this we see the timelessness of history. Ken Levine talked about making Bioshock Infinite and said that they looked to the past to see the future, to realize that world. It seems that is what PJ Harvey has done here, and we learn that we are trapped, but at least this awareness is brought to us with beauty.

3. Miranda Cosgrove feat. Rivers Cuomo - "High Maintenance"

I could rave about the was Miranda has matured with this EP, how the song captures a playfulness and energy that surpasses anything she has ever done up until this point. How the inclusion of Rivers adds a nice compliment to Cosgrove's voice and results in a nice back and forth between the two artists. But I just wrote about all this, so go read my review of Cosgrove's EP for the complete thoughts of how great that EP is, and why the titular track is so incredible.

2. the Mountain Goats - "Estate Sale Sign"

As the Mountain Goats delve further in to their third major 'sound' they blend the sombre tone that was found in the previous record with the shrills that mark some of John Darnielle's most iconic tracks. Like the best songs he has written and performed, "Estate Sale Sign" captures an intensity in the vocal fluctuations that Darnielle brings to the track, and to the CD as a whole. The verses culminate in a desperation, a howl of defiance that make the chorus as iconic as anything Darnielle has ever written. All Eternals Deck is the last record I listened to before compiling my lists, and while there are plenty of worthy songs to occupy this spot, my gut tells me this is the song that deserves the mention. It punched the hardest, and I'm still doubled over.

1. Tyler, the Creator - "Yonkers"

I have written before that I have the softest of spots for hip-hop, and Tyler, the Creator's latest track off his upcoming album Goblin captures all the elements that first attracted me to the music. The beats is not overly complex, and the flow is not rushed. It lets the lyrics exist, and it uses those lyrics to blatantly draw attention to society's taboos. But controversy on its own cannot sustain a song, let alone make it the year's best track. No, what Tyler has is, as member of his crew OFWGKTA say, swag. He's a rapper, but the song is artistic license at its finest. When listening to the track it's clear that an artist is hard at work, perfecting a craft, a subgenre that has been lost in the corporate shuffle to make the music a commodity. "Yonkers" represents a movement, a future (I am using all my restraint to not call it an Odd Future), and hip-hop is ready to rise once more. Oh yeah, and there's almost no chance there will be a better music video this year.

If ten songs were not enough I have the next ten listed below, all with links to youtube videos of the songs, just like the ones above, all you need to do is click the song titles.

Songs On The Bubble

11. Selena Gomez & the Scene - "Who Says"
12. Lady GaGa - "Born This Way"
13. Fleet Foxes - "Helplessness Blues"
14. Destroyer - "Savage Night At The Opera"
15. Frank Ocean - "Songs For Women"
16. Curren$y feat. Big K.R.I.T and Killa Kyleon - "Moon And The Stars"
17. Cut Copy - "Pharaohs and Pyramids"
18. Panda Bear - "Last Night At The Jetty"
19. Radiohead - "Lotus Flower"
20. Rebecca Black - "Friday"

Next Up: Best Albums Of The Year So Far

Rich