Box Office Beatdown - March 19th, 2012

After the dearth of positive reviews, order has been restored to the world once more as a film that scored 'fresh' on Rotten Tomatoes actually topped the Box Office. Further validating the ways of the Hollywood system, it was naturally a quasi-remake of a licence that had been relegated to a throwaway punchline in another Jonah Hill film. Sometimes life imitates art, and sometimes art imitates life. And then we are all just living in the simulacra.

The notion that an R rated comedy could make money was dismissed years ago when Judd Apatow started smashing all kinds of records, but lately the quality of these more extreme comedies have been hit or miss in terms of critical reception. Now I have been watching a lot of Mad Men lately in anticipation of the season premiere, and if there's one thing Don Draper taught me it's this: people are attracted to nostalgia.

So of course we all want to return to the world of high school as adults, and now we can live vicariously through Channing Tatum. Or Jonah Hill, if that's your cup of tea. He is an Oscar nominee after all.

Aside from the top three films this week (21 Jump Street, The Lorax, and John Carter) everyone else fought over the scraps. Sadly, even with a box office as fractured as the GOP race (count it, there's another easy GOP joke coming up!), new film from Mark and Jay Duplass, Jeff, Who Lives At Home, only brought in $840,000. But even the big guns ought to cling to whatever cash they make over these next few days because the behemoth is on it's way come Friday when The Hunger Games releases. Big or small, we will all be consumed.

Check below for a full list of the films that will be rendered irrelevant at the hand of Suzanne Collins.

People Don't Live Or Die, People Just Float

Jeff, Who Lives At Home (Duplass and Duplass, 2012)

Mark and Jay Duplass, brothers behind Cyrus, Baghead, and The Puffy Chair, continue to expand the definition of mumblecore with their latest film Jeff, Who Lives At Home. While it would be easy to describe this movie as a tale of a slacker who attempts to find his place in the world, what the Duplass brothers do with this film is so much more expansive because of the way they build upon the concept of a genre they helped popularize. Existing between the realms of drama and comedy their latest creation is more concerned with the humanity than it is with laughs, but it also willingly paints with the broadest of strokes in order to further reach for the universal. But by doing this I couldn't help but wonder if the shift of focus from the nuanced examination of relationships that have defined previous Duplass brothers films would be needlessly sacrificed for a more sprawling affair.

Oscar Predictions 2012: Zero Hour

With the 84th Academy Awards only hours away, I have decided to reveal my predictions, ranked from most likely to win through least likely to win. I took on all the categories, some of which I have not seen all the nominees for and are thus wild guesses. This list does not represent what I feel should win, but are the conclusions reached given the numbers I ran, the voters I polled, and my keen natural instincts. Check below the jump to see all the predictions, and happy viewing!

Smash Cuts: Hanna

Hanna (Wright, 2011)

Does it count as a revenge fantasy if everyone is terrible? Well, you know, except for the times where they aren't. But who cares about those times, we need the testosterone to flow! We need to see that you have balls! Balls! Action! Killing! Balls! You really have to admire the balls of what is likely the year's best action film - I mean really - simply because it takes the conceit of bringing this tiny fourteen year old female and turns her in to a force of unstoppable brutality. This is probably what The Hunger Games is like, except good. You have big shoes to fill. Figuratively anyway, Saorise Ronan probably doesn't have abnormally large feet. I know she doesn't cry! Except - of course - when she does. By moving at such a break neck pace it's hard to get bogged down in all the plot intricacies or the weak characters. We just need to cut.

Smash Cuts: The Secret World Of Arrietty

The Secret World Of Arrietty (Yonebayashi, 2012)

Cultures clash, worlds collide, while the trivial takes on the weight of the universe. Assuming it has a weight and we all aren't just floating along. But perhaps we do float along, movies carry us away into these worlds where the magic becomes real. Where we can forget the grim reality lurking in the backdrop. Our rats are only possible threats, we worry for naught when there are adventures to be shared. Or perhaps just borrowed. It's hard to gaze upon the foreign without interacting, for the imagination to build up a reality that just cannot be true, but these moments of hesitation are truly the ones that reveal who we really are, the fleeting glimpses stretched out until the reality is washed away by the dream.

Smash Cuts: The Descendants

It has been a while, friends. I have been watching a ton of films in preparation for awards season, and the hectic life of grad school has once again caught up with me. When you spend the majority of your day writing for pleasure, sometimes you need a break. But breaks are for pleasure too, right? So while I continue to go through films that I won't have the time to give proper reviews of, I figured I would test out some capsule reviews and thoughts about what I am watching. Starting off with the latest from Alexander Payne:

The Descendants (Payne, 2011)

Hawaii isn't just some paradise where we go to forget all of our troubles. It's a place with actual (beautiful) people with real world problems. Sometimes when we are looking down the gun we don't stop to consider that the gun might actually just be looking back at us. We can't run away from our problems, despite how goofy George Clooney may make that particular action seem. We have to actually run to the problems, face them head on. Sometimes it's hard to know whether we should care about our comatose wife who needs the plug pulled, our bratty kids, or that multi-million dollar land deal. See, we're not so different after all.

Taking On 2011: Top Films (Final List)

All good things must come to an end, and now I am in a position where I feel like it's time to close the page on the previous year in cinema. Alright, that's a bit of a lie.

Many of you may know that Oscar nominations were just announced, but why deal with the stuffy Academy when we (remember, read this "we" as "me," my friends) have a list of the real Best Pictures right here at Processed Grass? We don't need some silly rule that says maybe there are 10 films worth recognizing except when there aren't, we'll give you ten. In fact, there are plenty more that deserve recognition! But I have to show some restraint people, life must be lived.

This goes beyond performances. This is not a game! Who will be left standing when the music stops? It's time to find out!