Stoker (Park, 2013)
It's always interesting to see how an artist transitions from one medium to another, whether it be a painter stepping behind a camera or a novelist turning in to a screen writer. Yet with Stoker, director Park Chan-wook is not moving mediums but is actually breaking language barriers. If that isn't already a massive challenge to take on in what is the first English language film from the Korean visionary, then why not add in an extended metaphor of the physical and sexual awakenings that define the adolescent experience? If there's one thing that everyone can universally understand it would definitely the teenage psyche.
