Taking On 2012: Top Films

We have, after a long road, finally arrived at the end of the year known as 2012 in the world of culture. With supporting actors, actresses, and lead performances all taken care of I really only have the best collective works of the year to go through now. Am I completely done with the year on a personal level? Probably not, but sometimes we all have to move on. The long road calls, and we all have to walk the path in to the future (note: I did not see The Future in 2011 or 2012, so it won't be on this list. I really dropped the ball there). Some of these titles have links, which you can click for my full reviews.

Living On A Lighted Stage Approaches The Unreal

Holy Motors (Carax, 2012)

Continuing my paltry coverage of the Philadelphia Film Festival, I want to take a bit of time to write about one of the craziest theatrical experiences I have had in quite some time. Specifically, it all happened when I sat down to watch Holy Motors, the audacious new (mostly French) film from Leos Carax. Much like Beyond The Hills this one generated heaps of positive buzz at Cannes earlier in the year despite not coming away with any of the major awards. But unlike the relatively straightforward, though still complex, Beyond The Hills, one cannot as easily describe all the intricacies and surprises on display in Holy Motors, and I wouldn't want it any other way.