Showing posts with label paul thomas anderson. Show all posts
Showing posts with label paul thomas anderson. Show all posts

Saturday, February 28, 2026

Taking On 2025 - Top Films

Time once more to look back on the year that was in film, a year that marks the halfway point of the decade and, fittingly, delivered some of the best films of the decade thus far. But can't get on to figuring out that list until we get through the year officially, and so I pulled from everything I saw in (and around) 2025 to settle on the ten best. This year's list was particularly exciting because of how many great releases ended up coming out, highlighted by established filmmakers and upcoming voices, though it was once asked how long can one spend on an intro? And honestly no sense delaying this shit anymore because I'm already kind of overdue on my loose self imposed deadline, so might as well get to the main course.

Saturday, September 22, 2012

I Know Your Anger. I Know Your Dreams.


The Master (Anderson, 2012)

Growing up I remember that every so often in English class we would do a unit on speeches. Generally it was tied in with Martin Luther King Jr.'s famous "I Have A Dream Speech," though there were others that tended to be used as well. Actually when I was student teaching and even when I was co-teaching I used speeches as a focal point of lessons. These master orators have, even before the technology existed to record what was being said, had their words preserved for generations to heed. Somewhere, buried beneath these moments in time, is a theoretical common spring of humanity that allows them to remain relevant. But is this timelessness locatable? Is it even true?

If you read my most recent Top 97, you would notice that sitting atop that list is Paul Thomas Anderson's 2007 masterpiece There Will Be Blood. As such, it was with great anticipation that I approached The Master, a fictional re-imagining of the Scientology movement coupled with the journey of a returned WWII veteran who finds himself wrapped up in this movement's early days. But, as tends to be the case with Paul Thomas Anderson's films, it's rarely just about what's on the surface.

Monday, September 3, 2012

Top 97 Films (Part Four)

It is that time of year again, the one where I take a look over all the films I love and update my Top 97. Much like last year's list this one doesn't have a ton of new additions, but there are some notable shifts in positioning throughout that add a bit more clarity to my love of cinema. Unlike the other years though I'm going to try something new and start from the top, working my way down. If I like how that goes I'll probably just do every year. And without further delay, let the countdown begin!

Monday, August 20, 2012

Forward Thinking: Movies (Fall 2012)

After spending some brief time looking at five albums on the horizon I think it's only fair to give the same treatment to film because there's just so much slated to come out that will potentially kick so much ass. Compiling this list I had a hard time sticking to just five releases, but in the spirit of arbitrary self-imposed limitations I figured it would be a constructive exercise to attempt to limit myself to that number. Keeping it to five allowed me to be realistic as well, not having to include films that very likely will only show in a few theaters at a time or could slip in to 2013 because of crowded release slates. I'll attach a trailer to each title, so just give that a click and watch some awesome clips. There's so much reason to be excited, and here's just a taste.

Tuesday, August 30, 2011

Top 97 Films (Part Three)

I know I am a tad bit late in this year's entry of my Top 97 films, but as I wrote in yesterday's post it is because I have been mostly without computer for the past month. But Processed Grass is back, and so are the lists! Check out last year's installment and the initial installment to see how the list has changed over the past two years!