Taking On 2011: Supporting Performances

Now that I have finished up my music and video game coverage over the past couple of weeks, and with Oscar nominations right on the horizon, it seems fitting that I start focusing on the world of 2011 cinema. While I will withhold qualitative judgments until later, there are still plenty of films from last year that I want to see despite already watching a total of 67 2011 releases, as I was compiling these lists I realized that this year was pretty fantastic for actors (both male and female). The journey itself has been long, but that's the trip, baby. We are all along for the ride, and now it's time to start making sense of this crazy, mixed up world.

Before getting to the lists, I want to briefly outline my requirements for eligibility. Basically I needed to personally have some way to access a film in the year 2011 for it to make the list. That means films like Carnage and A Dangerous Method are going to be held off until next year's list. Similarly, because my unabridged list has some films that I included as 2010 movies, but didn't see theatrical distribution or DVD release until early 2011 I am going to include them one final time this year. So even if a performance made my list last year, if the film itself is on my 2011 Master List then it can win again, as the case may be.

And with that, on to the awards!

So How Did You Get Here Under My Skin?

Contagion (Soderbergh, 2011)

At times while watching Steven Soderbergh's latest film, Contagion, I could not help like feeling that it had topically missed its mark. As a member of the United States I have lived through a few biological scares, but the most recent one seems to be so far in the past that I hardly consider the extremity or fear that is bred during a disease scare. I have never been directly affected, and the sensationalist media has always made me think that these bird flu and swine flu scares are simply hyped up contained cases that will be easily controlled by the world's vast medical technology. What Soderbergh is tasked with doing then is not only making me believe that these very real diseases could be...well, real, but he must also turn a vastly biological affair in to a gripping story. So after focusing on a singular individuals in his last three films (Che, The Informant!, and The Girlfriend Experience) can Soderbergh expand, as he has with other films such as Traffic and the Oceans series, once more to encompass a global scare?