Every Superhero Need His Theme Music

Marvel's The Avengers (Whedon, 2012)

Only once have I attempted writing an extended fiction piece. It was a silly story that I hardly remember, but it was kind of playing on the idea of all the small events in a town that built toward some larger story in a Winesburg, Ohio kind of way. I kept losing track of the connections and eventually gave up, so when thinking about how Joss Whedon's Marvel's The Avengers attempts to fit together so many individual parts I can't help but be impressed by how much of it feels seamless. Sure there have been minor film crossovers, most notably Tony Stark showing up for a brief appearance in The Incredible Hulk or Nick Fury basically having his hands in every franchise film at some point. But often when all the pieces are assembled the result can easily feel inauthentic. For the most part Whedon's blockbuster gives all the heroes enough of a reason to join forces aside from the obvious "we would like to make money" mantra of Hollywood popcorn movies. All of the character groundwork has been, theoretically, set up, and Marvel's The Avengers is able to act like a grand sequel, but the thing about sequels is that many of them feel redundant, so how exactly does Whedon navigate this problem?

Box Office Battle - July 29th

I should probably reconsider the purpose of this column. In an attempt to show off my amazing knowledge to the world of my many reader(s), it seems I have been caught with my pants down facing the mirror. After last week's mess of a guess where I - and to be fair just about everyone else on the internet - underestimated just how much America loves movies about America...or captains of America as the case my be, I have had to grapple with the fact that I may be trying to gauge the country's cultural pulse with a scalpel rather than a stethoscope. Now with three major motion pictures muscling their way in to theaters I have put aside all misconceived medical metaphors to make my movie money estimates for the coming weekend.