How Many Years Can Some People Exist Before They're Allowed To Be Free?

The Dark Knight Rises (Nolan, 2012)

Finality can be unsettling. I recall most of the major occurrences of finality in my life fairly clearly. For better or worse time carries on and chapters of life (this is a phrase I detest, by the way) inevitably draw to a close as we continue throttling forward. As I stood waiting in line at the IMAX, about an hour and a half before Christopher Nolan's final entry in the Batman franchise, The Dark Knight Rises, was set to start the idea of conclusion was set firmly in my mind. After seven years he was prepared to move on, to put a bow on top of the series and pack up. And about 4 hours later, coming out of the theater, the conflicted feelings I usually have with confronting finality were still present in full force. Is this what it's like to end, can it be a satisfying conclusion, or will it all collapse under the weight of the previous movies?

Every Superhero Need His Theme Music

Marvel's The Avengers (Whedon, 2012)

Only once have I attempted writing an extended fiction piece. It was a silly story that I hardly remember, but it was kind of playing on the idea of all the small events in a town that built toward some larger story in a Winesburg, Ohio kind of way. I kept losing track of the connections and eventually gave up, so when thinking about how Joss Whedon's Marvel's The Avengers attempts to fit together so many individual parts I can't help but be impressed by how much of it feels seamless. Sure there have been minor film crossovers, most notably Tony Stark showing up for a brief appearance in The Incredible Hulk or Nick Fury basically having his hands in every franchise film at some point. But often when all the pieces are assembled the result can easily feel inauthentic. For the most part Whedon's blockbuster gives all the heroes enough of a reason to join forces aside from the obvious "we would like to make money" mantra of Hollywood popcorn movies. All of the character groundwork has been, theoretically, set up, and Marvel's The Avengers is able to act like a grand sequel, but the thing about sequels is that many of them feel redundant, so how exactly does Whedon navigate this problem?

Box Office Battle - July 22nd

Just as I have been recovering from my trip to this year's Pitchfork Music Festival, I have also had to come to terms with the fact that my early predictions for last week's box office results were disastrously off base. Well, at least my prediction for exactly how much Harry Potter and the Deathly Hallows Part Two was going to make, because I was actually pretty much spot on in my prediction of how much Disney's latest offering, Winnie the Pooh, would take in on the weekend. So with yet another week and yet another potential blockbuster releasing it's about time that I really start to buckle down and get things right this time. So pull on that helmet, pick up that, shield, and wave that damn flag because I'm dedicating this week's incredible round of predictions to the glorious nation of Patriotstonia! For the CGI!