Forward Thinking: Movies (Fall 2012)

After spending some brief time looking at five albums on the horizon I think it's only fair to give the same treatment to film because there's just so much slated to come out that will potentially kick so much ass. Compiling this list I had a hard time sticking to just five releases, but in the spirit of arbitrary self-imposed limitations I figured it would be a constructive exercise to attempt to limit myself to that number. Keeping it to five allowed me to be realistic as well, not having to include films that very likely will only show in a few theaters at a time or could slip in to 2013 because of crowded release slates. I'll attach a trailer to each title, so just give that a click and watch some awesome clips. There's so much reason to be excited, and here's just a taste.

Forward Thinking: Music (Fall 2012)

As the big fall releases start to pile up I think, as a means of prepping before the final series of Quarterly Reviews start being compiled and posted before the year end awards are given, it's useful to start looking ahead to what the fall has to offer. As such, welcome to what I hope will be a new series that pops up every few months around Processed Grass where I survey the landscape so to speak. Take a look at what is on the horizon. What releases I will be buzzing about by year's end, what looks interesting, what to monitor. And since 2012 has been such a fantastic year for music I figure that it's best to start there by looking at my five most anticipated releases for the rest of the year.

How Many Years Can Some People Exist Before They're Allowed To Be Free?

The Dark Knight Rises (Nolan, 2012)

Finality can be unsettling. I recall most of the major occurrences of finality in my life fairly clearly. For better or worse time carries on and chapters of life (this is a phrase I detest, by the way) inevitably draw to a close as we continue throttling forward. As I stood waiting in line at the IMAX, about an hour and a half before Christopher Nolan's final entry in the Batman franchise, The Dark Knight Rises, was set to start the idea of conclusion was set firmly in my mind. After seven years he was prepared to move on, to put a bow on top of the series and pack up. And about 4 hours later, coming out of the theater, the conflicted feelings I usually have with confronting finality were still present in full force. Is this what it's like to end, can it be a satisfying conclusion, or will it all collapse under the weight of the previous movies?

Taking On 2012: Top Films (Q2 Quarterly Review)

It's fairly easy to be critical of 2012 as a year in film thus far, I was earlier this year, mostly because many of the more exciting releases are so insanely back loaded that it seems like nothing has come out. And you know what? That's partially correct, but not entirely true. Sure in order to round out a complete list (mostly because so many foreign films I want to see haven't gotten releases in my neck of the woods yet) I needed to stretch some dates, but the end result I find to be fairly strong. Equally worthy of standing alongside the great year for songs and albums, at the very least.

Perhaps the most surprising development for 2012 in relation to the last few years is the presence of engaging comedies. There have been bad ones that were supposedly great while others that had every right to be terrible were surprisingly funny. It's been a long time since Superbad or Scott Pilgrim, and even if I've seen all the great comedy movies of the year (unlikely since Judd Apatow is holding off his latest for Christmas day) 2012 has been stronger than most years in recent memory. Yeah that's at the expense of drama, but the greats are yet to come.

So what did make the cut? Let us find out.

Taking On 2012: Top Albums (Q2 Quarterly Review)

We've gone through the songs, and that means it's time to start tackling the larger constructs that hold them all together. During my last quarterly review I was hesitant to call 2012 a great year for music at the time because, at that point, the releases were stretched fairly thin. Sure there were some gems, but even albums I thought would have staying power have faded away with what seems like an onslaught of top notch releases since the end of March.

There's quite a bit of ground to cover, so let us commence the counting down!

Taking On 2012: Top Tracks (Q2 Quarterly Review)

With June now completely passed we have reached the halfway point of the year, and as has become one of my favorite traditions it is time once again to track how all forms of culture have been this year. When March drew to a close it was already shaping up to be a great year for music (both individual tracks and albums), but it wasn't until I sat down to compose this list that I realized just how loaded 2012 has been...and it's only half finished!

Obviously this means there have been a number of tracks that have completely fallen off the list in favor of new entries, and when we meet again in October I reckon there may even be an entirely new batch of songs that have overtaken these based on some upcoming releases and past albums I haven't had a chance to get to yet. Part of that has to do with my stipulation that only one track from an artist is eligible, but even without that there's plenty of great music to discover.

So what's say we cut the chit chat and get in to the heft of the list? As usual, click the song titles to listen to them.

Remember When We Had Them All On The Run?

Moonrise Kingdom (Anderson, 2012)

I never went to summer camp. I don't know if that makes me an outlier to the quintessential American experience, but growing up I never spent a day of summer at a day camp. Looking back I'm not entirely sure what I missed, but the romantic notions that I have associated with what occurs at camp (thanks in no small part to Salute Your Shorts) have always left me wondering what would have changed if some of my summers were spent in this idealized wonderland of quasi-freedom. Now of course I'm sure no camp is anywhere close to how I imagine, but I think what draws me to it is the fictionalized allure of sorting out all the strange feelings of approaching maturity with boys and girls who were all on the precipice of adolescence. And it's this feeling, one that permeates throughout the whole of Wes Anderson's latest film Moonrise Kingdom, that makes my imaginary sanctuary a semi-tangible reality. This almost fairy tale that is underscored by so much painful reality, an escape that forces confrontation of truth.